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Satirical opera lampoons Trump as its metaphor more and more mirrors actuality

Newslytical by Newslytical
February 4, 2026
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Satirical opera lampoons Trump as its metaphor more and more mirrors actuality
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The world premiere of Monster’s Paradise, an opera by Olga Neuwirth and Elfriede Jelinek, includes a gluttonous, ravenous, insatiable President-King, instantly lampooning President Donald Trump.

Tobias Kratzer, creative director of the Hamburg State Opera, expressed his astonishment forward of the debut, noting how the satirical work has more and more mirrored actuality.

“The metaphor has turn out to be a actuality,” Kratzer remarked on Sunday morning. He added, “I’m actually hoping in — what’s it, eight hours? — the piece just isn’t utterly outdated as a result of up till now it has all the time gone nearer and nearer to not being a satire however being actuality.”

The manufacturing marks the primary collaboration in 20 years between the Austrian duo. Jelinek, 79, a Nobel laureate in Literature from 2004, penned the German-language libretto. Neuwirth, 57, obtained the 2022 Grawemeyer Award for Music Composition, three years after making historical past as the primary lady composer to have a piece offered on the Vienna State Opera.

Attendees have been met with refrain members dressed as zombies roaming the foyers earlier than and in the course of the intermission, alongside Disney-styled princesses and dancing scorching canine. The opera itself commenced with a hanging Las Vegas-style LED signal and motion unfolding on a passerelle, setting a particular visible tone.

The President-King crops a golf membership on Gorgonzilla’s rock, very like the White Home AI photograph of Trump touchdown on Greenland. (Tanja Dorendorf/Hamburg State Opera through AP)

A Nineteenth-century satire was the place to begin

Alfred Jarry’s 1896 play Ubu Roi was the inspiration, a profane, scatological work that had a one-performance run in Paris, lower quick by an indignant viewers response.

Elements of Jarry’s King Wenceslas and Ubu characters have been tailored into The President-King for what Neuwirth and Jelinek name a Grand Guignol opera, which has a six-performance run by way of Feb. 19. It strikes to the Zurich Opera from March 8 to April 12 and subsequent season to Austria’s Oper Graz. An audio recording is deliberate.

The President-King entered in a gilded Oval Workplace with a Coca-Cola crammed fridge. A golden crown sat on his desk together with a purple button that jettisoned guests equivalent to an Elvis Presley impersonator within the method of a TV sport present as a trio of purple X-shaped lights flashed. A lady resembling Melania Trump lurked within the background.

“I’ve lengthy identified Jarry’s play, however when Trump got here to energy, I immediately considered it,” Jelinek mentioned in an emailed response to questions translated from German.

Vampi and Bampi, a pair of pun-prone vampires sung by Sarah Defrise and Kristina Stanek, are avatars of the authors throughout 5 scenes that unfold over 2 hours, 45 minutes, they usually body motion within the method of Wagner’s Rheinmaidens and Norns. The President-King (sung by Georg Nigl) is opposed by Gorgonzilla (Anna Clementi), a monster spawned by a nuclear accident. One of many early titles was “Godzilla,” but it surely was modified due to a rights subject.

Mickey and Tuckey, the President-King’s adjutants sung by countertenors Andrew Watts and Eric Jurenas, have been patterned after Elon Musk and Mark Zuckerberg, in response to Kratzer, who directed the manufacturing. They sing strains equivalent to: “No person has such excessive numbers as you.”

Charlotte Rampling, in a number of projected movies, portrays a personality referred to as The Goddess who defends nature and civilization. Gorgonzilla devours the The President-King, however the creature additionally turns into an authoritarian. The opera ends with video of the vampires drifting on a platform alongside the Elbe whereas enjoying Schubert on a Bösendorfer piano, worrying the Earth has been destroyed by its leaders.

Outlandish portrayal of Trump-like character

The President-King grows to large dimensions whereas sporting a diaper and golden necktie in Rainer Sellmaier’s set and costume design, and he crops a golf membership on Gorgonzilla’s rock, very like the White Home AI photograph of Trump touchdown on Greenland. The President-King boasts of successful “Ohoho” and “Tuxus,” and his lead in “Pennsilfania” is not even shut.

Carrying Kermit the Frog and Miss Piggy masks, the vampires assault The President-King with sledgehammers and saws, which haven’t any affect. The one resembling Miss Piggy mimics lacking with a rifle, prompting The President-King to boost a fist in defiance.

“Folks of energy are all the time afraid of humor,” Neuwirth mentioned. “For instance, Hitler was so afraid of Charlie Chaplin’s The (Nice) Dictator — he watched it secretly in his room in Berlin — as a result of they’re afraid to be laughed at. They’ve this ego, which isn’t allowed to be questioned.”

Neuwirth composed for a Mozart-sized orchestra including an electrical guitar and a drum equipment, as characters usually used Sprechstimme — spoken-word singing. Conductor Titus Engle melded Neuwirth’s many musical genres.

“I’m not enjoying the American president, but it surely’s very shut,” Nigl mentioned. “I’m enjoying a misogynist. I’m enjoying a braggart. I’m enjoying a fraudster, a despiser.”

Nigl portrayed Russian President Vladimir Putin final 12 months in Gordon Kampe’s “Die Kreide im Mund des Wolfs (The Chalk within the Wolf’s Mouth).” Nigl mentioned his most vital phrases on this opera are when he sings: “He who has thousands and thousands doesn’t want voters.”

Trump’s response is on their minds

Neuwirth vowed “I’m by no means going to put in writing an opera once more,” including she’s going to reveal her cause at a later date.

She is conscious she might face repercussions from the U.S. administration.

“I’m sort of a bit of bit afraid as a result of I wish to nonetheless enter the US,” she mentioned.

Jelinek remained unconcerned.

“I’m not afraid. I’m a small, unimportant European lady,” she wrote in her emailed responses.



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Tags: IncreasinglylampoonsmetaphormirrorsOperarealitySatiricalTrump
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